Karen Heald and Susan Liggett in-between-ness

Loading Map....

Date/Time
Date(s) - 06/09/2013 - 04/11/2013
12:00 am

Location
Oriel Sycharth

Categories No Categories


Image,31646,en
‘Paper Interior’ still from video installation, Karen Heald and Susan Liggett (2013)

Image,31645,en
‘The Yellow Cardigan’ oil on board, 37.5 x 55 cm, Susan Liggett (2013)

Karen Heald and Susan Liggett

in-between-ness: using art to capture a sense of self

6 September – 4 November 2013

Private View, Friday 6 September 2013, 5-7pm



Oriel Sycharth Gallery is delighted to announce an exhibition of paintings, film stills and moving image by contemporary artists Karen Heald and Susan Liggett, and the participants in their research project into the experiential effects of antidepressant treatment.

The exhibition brings together the artists’ individual and collaborative artworks exploring notions of in-between-ness, alongside the participants’ artworks, with the aim of engaging the audience in an immersive experience of their research.



The term in-between-ness originates from Karen’s dream films that create ambient environments, where the audience is unsure as to whether one is asleep, awake, or even in a state of in-between-ness. Karen identifies in-between-ness in her dream films that are representations of the ephemeral and transitional spaces of the mind: the imaginary, states between wakefulness and sleep, reverie, the unconscious and layers of consciousness, such as that of the creative or the depressive and psychotic who travels between several time zones simultaneously. Through painterly, poetic non-linear video narratives, these transitional spaces are played out.



For Susan it is within the intervals of her painting that she begins to contemplate in-between-ness, in the hesitation of the brush marks and the reliability of her memory when painting from photographs. Her memories do not simply recall events, but reside in-between the past and the present in a fragmentary space akin to Heald’s dream spaces. The work investigates the sense of joy and loss, and the emotions one has whilst journeying in the past when looking through family photographs.



More broadly the in-between-ness research project is an innovative art/science exploration of the effect that art has on the way that people express themselves and respond to their environment whilst undergoing treatment for mental health problems. It is a collaboration between professional artists, clinical researchers and people suffering from depression and explores the ‘sense of self’ brought about by engagement in the creative process.




Susan Liggett is a practising painter and Senior Lecturer in Fine Art at Glyndŵr University. Her work explores personal memory within the genres of landscape, figure and still life painting.


Recent collaborative exhibitions include: Videoformes, Trinity Church, Salford (2012); The Vending Machine, Serra dei Giardini and the Contemporary Art Galleria Perela, Venice (2011); Visualising the Invisible, Glyndŵr University, Wrexham (2010).



in-between-ness forms part of ITA13, the fifth biennial international conference on Internet Technologies and Applications, taking place at Glyndŵr University from 10 – 13 September 2013. The artists have contributed a paper that explores how contemporary artists collaborate and how new technologies have challenged the relationship between traditional and new media in a way that has resulted in innovative collaborative opportunities with scientists, citing this artwork on display as an example.


About the author

mike