This Project » Galeri 3B

COLLABORATE!

mike — Wed, 01 Apr 2015 12:03:07 +0000

The Art World Comes To Wrexham

A group of major International artists will be making their way to Wrexham as part of the diverse and explosive “Collaborate!” exhibition, and this will be the first time much of the work has been shown outside of major international galleries, like New York’s Museum of Modern Art or The Tate.

“Collaborate” is the brainchild of artists Ivan Liotchev and Nicholas John Jones. They will be working with Glyndwr’s Oriel Sycharth Gallery and Wrexham’s innovative arts organisation THIS Project, who opened the former JJB store at 11 Regent Street, as Undegun Artspace in July 2013. The ground-breaking exhibition has been put together to showcase the talents of major international artists at venues across Wrexham, while demonstrating how groups of artists and institutions can work together to produce incredible results.

The exhibition is being previewed, on Wednesday, 22nd April, as part of the FOCUS Wales Music Festival, which itself brings acts from all over the world, and is just one other example of how Wrexham is increasingly being recognised as a destination for international talent.

The contemporary exhibition will feature artworks and performances that use the full spectrum of the tools available in the world today – from the paints and canvasses traditionally associated with artists, all the way through to Skype. Some of the work will be controversial, but all of it will be the best examples from highly respected art world figures.

Dave Gray of THIS Project, “A lot of institutional local galleries are nervous about showing artwork of this nature, because often it can be challenging and deals with uncomfortable issues. Since opening Undegun in 2013 though, we’ve found Wrexham people have a huge appetite for art, and enjoy the opportunity to see exciting new work in their own town rather than having to visit London or other major cities around the world to enjoy it. “Collaborate!” has been a fantastic opportunity to ensure we can get some of the best contemporary work from across the globe right here in our own town.”

Events to note:
Preview @ FOCUS Wales, Galeri 3B from 6pm, Wednesday 22nd April 2015 featuring London based Biters, and Ann Liv Young (broadcast live from New York City)

Launch Event @ Oriel Sycharth, 6pm to 8pm, Thursday 23rd April 2015

Artists exhibited:
Jeremy Bailey with Kristin Schaffer, Biters, Cornford & Cross, Judy Chicago, Phoebe Davis, Bernard Frize, Jesse Greenberg, Jeremy Hutchison, Helen Knowles, Ivan Liotchev, London Brain Project, Lorna Mills, Dylan Miner, Sarah Pettitt & Robert Rivers, Jonathan Powell & nu-Sangha, Kezia Pritchard & Kristofer Henriksson, Nina Rodin & Rebecca Molloy, Tim Rollins and K.O.S., Nastja Ronnko, Jesse Stead & Raphael Lyon, Ryan Trecartin, Weast, Ann Liv Young.

COLLABORATE! is a survey of recent collaborative art practice. Involving 23 international artists / collaborative teams, whose work spans across media ranging from painting to Skype, the exhibition urges us to consider the wide array of forms, approaches, and results of collaboration.

The central exhibition at Oriel Sycharth Gallery is presented as part of a wider programme of exhibitions, screenings and performances, in partnership with THIS Project and Focus Wales. Additional venues include THIS Project’s Undegun and Galeri 3B, and select screenings will be dispersed throughout Focus Wales events.

In exploring the nature of collaboration, COLLABORATE! presents a broad variety of practices including artists who only work collaboratively, occasional collaborators, and artists who direct temporary participants or orchestrate situations. Exhibitors range in nationality and career-stage and practices presented vary from early feminism and 80s painting revival, to jazz, indigenous and post-internet art.

Why do artists choose to co-create? On first thought, the merits of co-operation seem obvious and often denote harmony. We see artists like Phoebe Davis working with members of a care home as an act of empowerment. Cornford & Cross have an established practice based on mutual trust and co-operation. But are these, and other collaborative acts always symbiotic? Ryan Trecartin confronts us with post-digital discord, Jeremy Hutchison orders foreign factory workers to manufacture deliberately defective products, Ann Liv Young both compliments and insults us, Ivan Liotchev enlists hundreds of random participants in the often chaotic creation of his giant canvases, Tim Rollins and Judy Chicago urge sidelined youths and needle-workers, respectively, to raise their ambitions to High-art prominence.

Are collaborative strategies mutually beneficial to artist and collaborator, or are there underlying power structures at play that verge on exploitation? Can exploitation ever be beneficial and is it even collaboration? Where does ownership lie, when often the resulting works are only credited to a single artist? What are the boundaries between collaboration, participation, orchestration and instigation? Can collaboration break these boundaries and de-centralise authority? Is it a push towards more equality and empowerment or do familiar power-structures remain?

The points of conflict in this exhibition, both between the collaborators themselves and ideological questions raised, hopefully serve as means to a positive end. The tension built through collaboration may or may not resolve, but it always aims to stretch our spiritual sphere.

The social strive of the exhibition stems from the networked nature of collaboration itself, displaying how snippets of individual ideas, behaviours, relationships, thoughts, patterns and visions can inform a cohesive reality. Reflecting our hyper-connected society, the exhibition, and extended partnership that supports it, can be seen as a sketch for a more united and harmonious future.

Most artists in this exhibition have shown internationally, but never in Wales before. COLLABORATE! brings for the first time to Wales the groundbreaking participatory works of Tim Rollins and K.O.S. as well as Judy Chicago’s seminal Birth Project. Other artists showing in Wales for the first time include performance artist Ann Liv Young, Métis artist Dylan Miner, and Japanese duo WEAST.

A special feature of the exhibition will be the first ever presentation in Wales of Ryan Trecartin’s ambitious 3-channel movie Comma Boat. A unique vision of dictatorship, yet emblematic of Trecartin’s hyper-collaborative style, the large-scale installation will be presented at Undegun in Wrexham city centre.

COLLABORATE! will host a pre-launch event as part of Focus Wales on 22 April, 6-8pm at Galeri 3B, which will include live performances by London-based duo Biters and New York City-based Ann Liv Young.

The main exhibition launch at Oriel Sycharth Gallery will be on 23 April, 6-8pm, and will feature a live, multi-actor performance directed by Helen Knowles. A post-event reception with performances will follow at Undegun from 8pm onwards. As part of Focus Wales’s regular programme, the post-event is ticketed, but visitors to the opening at Oriel Sycharth will receive free passes to a special VIP zone.

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Goliath Guitar Tutorials.com Filming at Galeri 3B

Kirsty — Fri, 13 Feb 2015 13:35:16 +0000

Yesterday (12/02/2015) we had youtube guitar tutorial expert Gareth Evans filming his latest video “Love Me Like You Do” a finger-tapping guitar interpretation of the Ellie Goulding song.

Gareth is old friends with Focus Wales Director Neal Thompson, with Neal giving Gareth his very first guitar lessons back when they were at school together. Thanks Gareth for filming with us at 3B, you are welcome back any time.

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Light Drawing Launch

Kirsty — Fri, 13 Feb 2015 11:05:11 +0000

On the 23rd January was the launch of Galeri 3B first exhibition of 2015. Wrexham TV did a wonderful job of recording and interviewing the visitors at the event.

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Today is the Deed

Kirsty — Fri, 14 Nov 2014 13:25:09 +0000

“Today we proclaim our words to you people. In the squares and on the streets we are placing our work, convinced that art must not be a sanctuary for the idle, a consolation for the weary, and a justification for the lazy.
Art should attend us everywhere that life flows and acts….at the bench, at the table, at work, at rest, at play, on working days and holidays…..at home and on the road….in order that the flame to live should not extinguish in mankind.

We do not look for justification, neither in the past nor in the future.
Nobody can tell us what the future is and what utensils does one eat it with.
Not to lie about the future is impossible and one can lie about it at will.
We assert that the shouts about the future are for us the same as the tears about the past: a renovated daydream of the romantics…..

He who is busy today with the morrow is busy doing nothing.
And he who tomorrow will bring us nothing of what he has done today is of no use for the future.
Today is the deed.
We will account for it tomorrow.
The past we are leaving behind as carrion.
The future we leave to the fortune tellers.
We take the present day.”

Taken from The Realistic Manifesto, written by Naum Gabo and Antoine Pevsner in 1920. These two Russian artists were pioneers of early 20th century sculpture and prominent members of the Constructivist movement.

Today Is The Deed, the new exhibition opening at Galeri 3B is supportedd by the Arts Council of Wales and features four artists; Omar Batoctoy, Marja Bonada, Ciaran Gogarty and Jo Marsh.

All four artists are very interested in this period of Russian art history, and this exhibition is an attempt to understand the thought processes of the Constructivist artists. The manifesto is written at a time of extreme optimism, after the Great October Socialist Revolution of 1917, when artists were being employed to help build the new society.
From their writings and sculpture, you can sense the strength of their belief that, through art, film, music, dance, theatre and literature, they could make a society to be proud of; one that everyone could live happily in. It is sad that ultimately they failed, and Communism led to a lot of poverty and chaos, and eventually the Cold War.
But there were many good ideas in the air at that time, and there remains a lot of creative work that we can learn from. We can take their ideas and bring them up to date, and use them to regenerate our towns, and make an atmosphere that is inspiring and life affirming for the people that live in them, through culture in all its forms.

Omar Batoctoy is a recent graduate from Glyndwr University, Wrexham. Here he speaks about his experience of studying at the Art School, and his final degree show sculpture:
“I had been studying the works of Constructivist artists Naum Gabo and Vladimir Tatlin at the time. Both of which have been major influences in my recent works. So much so that my final piece of my 3rd year and degree show is almost a conceptual appropriation of Tatlins famous Monument to the Third International of 1920. Tatlins tower was a symbol of growth and revolution in Russia during his time, whereas my 10ft tower, Man and Nature is a symbol of growing use and ignorance towards detritus material in our throw-away society.”

Marja Bonada is a Wrexham based artist, who also works with THIS Project, to deliver various art based projects to the gallery spaces in the town centre:
“My work has always been influenced primarily by observations of the natural world. It is there where we can find everything we need to know; how to construct strong, efficient objects, whether it is for architecture, clothing or anything else we might need, but also how to live in balance with our environment, whether it is rural or urban. Nature is all about balance, and if we can take this principle and use it in our own lives, we will be successful and the world will not be harmed by our success.
The constructions I have been making recently are attempts to understand some of nature’s construction techniques, sometimes by mimicking effects, sometimes by seeking sound methods of construction.”

Ciaran Gogarty is a painter from Ireland. He paints from nature, but through deconstructing and reconstructing the colours he observes, makes an abstract arrangement of hues:
“Where my practice up to now, has been colour specific within nature, I will pursue the Constructivist position of Art for social purpose, to highlight the ongoing ecological crisis in our natural environment, global and local.
Before my interaction with Galeri 3B, I had merely a rudimentary knowledge of the Russian Constructivist movement. These last weeks have been revelatory and highly informative….This endeavour can be understood as a dialogue between artists of like mind to explore and elaborate on the theory of the Socialist object-as-comrade, in the practice of art, in contemporary society.”

Jo Marsh is a Wrexham based artist, also working with THIS Project, she has curated exhibitions and projects involving art and artists in various locations in the U.K.

“Within my practice as an artist and curator I am predominantly concerned with the overlap between sculpture and performance i.e. objects and forms which, rather than being passive, are central catalysts to performative situations.
This area of interest is evidenced in a number of my existing works; including my ongoing project With Love From The Artist, and my travelling gallery-sculpture WanderBox.
With this in mind, I respond strongly to certain assertions from the Realistic Manifesto which place particular emphasis on art existing within and as part of quotidian lived experience.”

The launch of the exhibition is Friday 14th November, and will coincide with the album launch and a concert by Golden Fable.

Golden Fable are Rebecca Palin, Tim McIver and Jack McCarthy, and together they create music described by The Line Of Best Fit as “nothing short of inspirational”.

Hailing from the foothills of mountainous north Wales, Golden Fable compose their music within its abundant, richly varied landscape. Pairing these organic influences with modern instrumentation, debut album ‘Star Map’, released in 2012, was constructed from electronic beats, synths and processed effects alongside guitars, pianos and strings, resulting in “an incredibly gorgeous dream pop collection” (In Your Speakers).

Twelve months of writing and evolving followed, and the band resurfaced from their creative retreat with second album, ‘Ancient Blue’. Recorded with David Wrench (Bat For Lashes, Caribou) and Jimmy Robertson (Anna Calvi) in Snowdonia, ‘Ancient Blue’ is impassioned, intense and bolder than its predecessor. It is both strident and intimate, reflecting the intrinsic connection between human forces and natural forces.

Ancient Blue is released on November 10th through Full of Joy Records

Support comes from nostalgic-futurists & experimental pop-makers Half Avain plus alternative/folk singer-songwriter Pamela Wyn Shannon with cellist Sian Meirion

goldenfable.com
halfavian.co.uk

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ACW Funding Advice Sessions

mike — Fri, 01 Aug 2014 10:55:07 +0000

Funding advice sessions are held across Wales. These events enable individuals and organisations to discuss their project ideas and make general funding enquiries with members of our staff. Taking place this time at Galeri 3B on Priory Street, Wrexham on 6 Aug 2014

40 minute slots will be available to attendees to discuss possible projects with our Information Officers. They will be able to offer guidance on eligibility and how best to apply for a grant.

These sessions will be attended by appointment only. To book a place you will need to contact the Information Team, either by:

emailing Information@artscouncilofwales.org.uk. You will be asked to send us a brief description of your project proposal and to attach your artist CV, biography or description of your track record/background as an artist or arts organisation

or by calling us on 0845 8734 900

If you have any access requirements (e.g. wheelchair access, sign language interpereter, large print material etc.) please let us know when booking.

6 August 2014
10:00 – 3.00

Galeri 3b
Priory Street
Wrexham
LL11 1SU

Mae sesiynau cymorth ariannu yn cael eu cynnal ar hyd a lled Cymru, ac maent yn galluogi unigolion a sefydliadau i drafod syniadau eu prosiectau ac i gael gwybodaeth gyffredinol am ariannu. 6 Awst 2014

Bydd slotiau 40 munud ar gael i fynychwyr drafod gyda’n Swyddogion Gwybodaeth. Byddant yn medru siarad am eich prosiect a sut orau i fynd ati i geisio am grant.

Bydd y sesiynau cymorth ariannu ar gael drwy archeb yn unig. I archebu lle, cysylltwch a’r Tim Gwybodaeth, unai drwy:

ebostio gwybodaeth@cyngorcelfyddydaucymru.org.uk. Bydd gofyn i chi anfon disgrifiad byr o’ch prosiect ac yn ogystal atodi eich CV artist, eich bywgraffiad neu ddisgrifiad o’ch cefndir fel artist neu sefydliad celfyddydol
ein ffonio ar 0845 8734 900

Os oes angen arnoch unrhyw ddarpariaeth benodol o ran hygyrchedd (e.e. mynediad cadair olwyn, dehonglwr sain, deunydd print bras ac ati) rhowch wybod i ni wrth archebu lle.

6 Awst 2014
10:00 – 3.00

Galeri 3b
Stryd Priordy
Wrecsam
LL11 1SU

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Sioned Huws – Aomori Aomori

mike — Wed, 23 Jul 2014 10:48:54 +0000

Galeri 3B – Wednesday 23/07/2014 @ 7pm

As part of Oriel Wrecsam’s continuing programme of Off Site projects, you are invited to a dance performance of the Aomori Collaboration with Sioned Huws.

Part of a long term collaboration that links the mountains of Huws’ native Wales with the landscape of Aomori, Japan, this performance brings together a cast of ten dancers, musicians and singers from across the globe alongside local performers for the latest incarnation of the Aomori Project; a celebration of transformational landscapes and architectural spaces.

Sioned Huws is artistic director of Aomori Project, a long term collaboration since its beginning in 2008. Sioned is a Welsh choreographer who started making contemporary dance and performance in New York 1989, whilst studying at the Merce Cunningham Studios. Her work focuses on perception, memory, person and place within choreographic structures; systems patterning small details that allow for the unexpected within a world sensed through an awareness of physical movement.

Part of a long term collaboration that links the mountains of Sioned’s native Wales with the landscape of Aomori Japan, this performance brings together a cast of ten dancers, musicians and singers from across the globe alongside local performers forthe latest incarnation of Aomori Project; a celebration of transformational landscapes and architectural spaces. Featuring Tsugaru teodori dancer Yoshiya Ishikawa, Tsugaru Shamisen- Hasegawa Sangen-kai and minyo singer Kiyoko Goto; the dance, sound and songs of Tsugaru reflect the vigor of human resilience between man and nature.

Aomori is a prefecture of Japan in the region of Tsugaru, at the Northern most tip of Honshu Island, with short summers and long snowy winters, forest of blue, green, mountains of soft linear impressions, seas of a deep navy blue enliven feeling with colour in autums. In winter, the repetitive silent snowfall arrives, a landscape transformed, the heartbeat slows down, the body is overwhelmed by a desire to rest, to lay horizontally in this blanket of white. A desire to be resisted, to move and be moved. The sounds, song and dances of Tsugaru personify these landscapes. A contemporary performances, with a cast of ten performances, dancers live musicians and singer from Japan, Wales, UK and Europe, including guest performances from North Wales.

From vertical to horizontal; the body becomes space and space is transformed into body; in repetition, movement assumes the sensibility of an internal landscape, reflecting the soul of Aomori, the silent repetition of snowfall.

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Kinesis opening

mike — Tue, 15 Jul 2014 13:53:51 +0000

On Saturday 12th July THIS Project launched its fourth exhibition at Galeri 3B, ‘Kinesis’. Proudly presenting new work from some truly talented emerging artists who have created art that engages with important political issues from the point of view of four young people who want to use their art to change things for the better. The Galeri’s co-ordinator Marja Bonada has invited Pin-Chieh Tseng and Yang Yi-Shiang from Taiwan to exhibit alongside Lewys Jones and Markrobla from Wales in our gallery on Priory Street. All four artist’s have expressed their political views in different, creative ways. Pin-Chieh Tseng has created a mixture of painting and art installations to express the growing concerns within Taiwan around population displacement and says; “The work deals with an event which happened in Taiwan, and I believe that it is a part of history that should keep in people’s minds. We must rethink our actions if we keep silence on the violence by the government.”

Pin-Chieh Tseng – Dapu

Yang’s work has been based around her research on children in Taiwan and their family issues. The exhibition features a documentary film showing the children answering questions about their life at home, Yang then created 3o pictures, one of each of the children that she interviewed. Yang states that; “I draw down the subjects which is in front of my eye or I saw in my dream, and also would like to develop the story in anywhere. I stand between the lives and the presence, seems like stare the wreckage of whale that you never blend with and understanding they are fearless of the world in their eyes.”

Yang Yi-Shiang

Lewys Jones uses graphic print to communicate his message. Lewys believes that: “In my work I like to challenge social-political stand points and engage people in art that has a powerful message. Through my art I study how we see politics, how it affects us in everyday life and how we form our political opinions.” For ‘Kinesis’ he expresses this through 23 posters that question contemporary political views as well as as questioning the viewer and inviting feedback. Lewys Jones Markrobla has created three new life size sculptures for the show. He says; “Shapes in space,context and connotations added to 3D models through the symbolism of objects that represent the modern age.” Markrobla’s latest sculptures are concerned with issues such as the kidnap of 200 Nigerian schoolgirls by Boko Haram, International migration and issues surrounding human rights in the light of fluctuating national borders.

Markrobla – Strong Hold

‘Kinesis’ will be on until the 31st August 2014, opening hours Thursday – Saturday 12 – 4pm at 3B Priory Street, Wrexham, LL11 11SU

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Llif/Flow/Virta

mike — Fri, 06 Jun 2014 12:52:11 +0000

The latest exhibition at Galeri 3B brings together four of Finland’s leading contemporary artists showing work alongside emerging and established artists from Wales. Llif/Flow/Virta is supported by FRAME: Visual Arts Finland and this exhibition marks the fourth leg of this very successful exchange programme, which yields some strange and fascinating work.

www.frame-finland.fi/en/ or follow them on Facebook www.facebook.com/FrameFinland

Much of the work in this show is pushing boundaries between disciplines, such as Ant Dickinson and Andrew Gale’s installation “Nothing New”, which records the gradual decomposition of a piano in a Welsh field. The film which is shown alongside the decaying piano, is comprised of a thought provoking piece of music, formed by Dickinson playing the piano at intervals over a two year period, and then fusing the sounds together digitally. The result is surprising and intriguing.

The art of the Finns is a real treat for us in the U.K. and something we will rarely encounter. It is a window into a strange world of nightless summers and dayless winters. The darkness of Anne Tompuri’s large canvasses speak of the dark lakeside nights. But the darkness in her work serves to accentuate the light, which streams forth, white from horizon line or open window.

Maija Helasvuo’s solidly made woodcarvings “Messenger 1 and 2″ bring us suddenly into contact with our own mortality, but somehow, she does it with empathy and understanding. Her handling of the material has a solid base in craftsmanship, which coexists with a poetic free self expression.

Mika Karhu’s work is dark in the sense that he depicts the darker sides of human nature, and makes us aware of our dependance on the society we have made, whether we agree with the direction it takes or not. In this series of drawings “Anatomy of Pain” there is an awareness that though there are things to be sorry of, there is also room for pathos and humour in human life.

Nora Tapper’s huge standing tarpaper bags make up a striking installation called “Darkness”. They have a sinister presence, which has intrigued visitors so far.

The featured Welsh artists comprise some of the wealth of talented artists which are springing up in and around the Wrexham area.

Featured Finnish Artists:
Maija Helasvuo
Mika Karhu
Nora Tapper
Anne Tompuri

Welsh Artists:
Tom Gilhespy
Amy Sterly
Angela Davies
James Harper
Katie Cyfenw
Marja Bonada
Ant Dickinson and Andrew Gale

If you would like to see more of the type of work Frame does please feel free to visit their website
www.frame-finland.fi/en/ or follow them on Facebook www.facebook.com/FrameFinland

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Silent State

mike — Wed, 30 Apr 2014 12:34:16 +0000

Welsh National Opera present an exciting new event to celebrate European Opera Day on Saturday 10th of May in Wrexham

Silent State is a theatrical adventure which combines live performance, intrigue and a treasure hunt-like game requiring participants to follow the adventure around several secret locations in Wrexham town centre. This is immersive theatre on a new level!

Working in combination with exciting gaming production company Yellobrick, plus reuniting with writer Ben Gwalchmai (who penned 3 episodes of our Soap Opera Nine Stories High!) – this new theatrical experience requires you to imagine a life without music. The setting is bleak: Wrexham is transformed into a dystopian, Orwellian, Hunger Games world where we need you to join the resistance – and put an end to the silence. Welcome to Silent State.

http://www.wno.org.uk/event/silent-state

Tickets £5 available NOW from: http://www.silentstate.eventbrite.co.uk

3 Start Times: 11.30am, 3pm & 6.30pm on Saturday 10th May (each performance lasts approx. 1½ hours) Ages 14+

Music has been banned and silence pervades the streets of Wrexham. It is a very different place, regimented and controlled, whilst the black market thrives with secret traders dealing in bootleg musical experiences. Anyone seen cavorting, making melodic merry or moving rhythmically are immediately detained. Being caught in possession of musical artefacts of any kind comes with a very high price. But there is hope … rumours are spreading behind closed doors of a resistance. A resistance against the silence. The time has come to make a stand. Are you ready?

Check out the Trailer below!

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Horizons

Adam Davies — Wed, 23 Apr 2014 11:28:23 +0000

Horizons… The furthest we can see, a point at which to aim, where the dawn first appears from the darkness and storm clouds can gather. Our horizons are not set, they can be artificial, and human experience allows us to constantly expand and re-evaluate our own, as they represent both our limits and a line we can strive to go beyond.

As part of FOCUS Wales 2014 BBC Wales are launching their new project Horizons, to support emerging welsh bands, here in Wrexham at new pop up art space Galeri 3B on Priory Street in Wrexham. The gallery occupies the former Laura Ashley shop on Priory Street and is the second disused shop unit taken on by local arts organisation THIS Project.

Focus Wales
BBC

To celebrate the BBC Launch THIS Project has invited 12 of Wrexham’s brightest and best emerging artists to respond to the theme, Horizons, creating new works of art and show the incredible talents of artists who live and work in the town.

THIS

The work has been produced by:
Jo Marsh (featuring Wanderbox); Mark Roberts (sculpture); Francois Grobler (Winner of the Wrexham Open 2013); Michael C. Jones; Erica Taylor; Kasia Miller; Asia Janusz (photography); Heather Wilson; Joey Edwards (film); Lewys Jones; Rhi Moxon; Adam Pritchard

Both the BBC Project and the exhibition launch this Friday, in the middle of the Focus Wales Music Festival, and the public are invited to come along to Galeri 3B to enjoy the music and artwork, and find out more about what is going on throughout the county, as this month is also the Wrexham’s art festival – Creative International – which has over 60 events throughout the month all over the county.

Creative International

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